Mourning the State(s) of Politics

March 14th, 2008

I came across an article by David Gergen today. You can read it here, but what he said really struck me as true. The Democratic candidates are spending a lot of time quiblling over personal attacks and alleged racist comments rather than dealing with the pressing issues of this nation. After reading all the various comments, none of which struck me as particularly insightful, I decided to post my own there. And I’m reprinting it here as well:

While it is true that they do need to focus again on the problems actually facing this country and its citizens, I don’t know if that’s been true in any recent election, going back almost as long as I’ve been alive.

It’s become a world of sound bites and photo ops because that is all that both politicians (I include their operatives) and the media think we want to read or see. A world where all we get to see are video clips of candidates preaching to the choir, made up of those who can afford to pay $1000 for a fundraising dinner in the hopes that they have some chance to exert influence in a way that benefits them (the buyers, not the candidate). It is one giant Potemkin village of shiny, happy “voters” and I mourn the loss of a truly inquisitive citizenry.

This is why voter turnout has plummeted in this country… because we know deep down that our votes really don’t matter and that those who run for national office really don’t care one whit for what we have to say or what our concerns are.

I think it’s becoming more and more important in this day and age for we the people to challenge the government as much as we can through intellectual discourse. Only by questioning and challenging their actions can we hope to make our government and those who seek to control it do better on our behalf, which is why they are supposed to be there in the first place.

In the interest of full disclosure, I have donated to Barack Obama’s campaign and support his candidacy for the presidency. However, I have never had any direct contact with any of the candidates or their campaigners, even though I am a resident of Arizona and thus a constituent of John McCain in his role as our senior Senator. I feel that my comments above express my feelings about the political process in general and my hope that it will get better.

New project in the house!!

January 31st, 2008

I’ve got a new podcast blog up and running for my new enterprise!

It’s the basis for (and hopefully an outgrowth of) my senior capstone project in Theatre at ASU. I am creating an original radio drama to be recorded live in front of a studio audience that will then be offered over the internet. The premiere is anticipated to be late April 2008 (because I have to graduate right after that), so check it out. I will also be podcasting the development process leading up to the first show so that people can get a glimpse of what goes on behind the scenes of this art form.

Check it out: The Aureality Project

Alive… it’s ALIVE!!!

January 13th, 2008

Too overexcited? Too bad!

My personal website is finally posted and online. As I go, I’ll fill out the functionality of it and hopefully add some extra features not currently available. But check it out:

The Roost 2.0

Feel free to let me know what you think of the site. Constructive criticism is always welcome…

“There’s No Money In That”, part 4

December 27th, 2007
And now, the exciting conclusion:
“Hello, Brian?” the voice on the other end asked. I cleared my throat and replied in the affirmative. “This is Milward Simpson over at the Horse Barn Dinner Theatre. The reason I was calling was to thank you for your audition and that I’d like to offer you—“

“I’ll take it!” I’m just glad he never saw me dancing like a wild man in my bedroom. I nearly knocked over my computer in excitement.

“Well, take a breath, now,” Milward cautioned. “Let give you some details about this, because it doesn’t pay a lot.”

“I don’t care about that,” I stupidly replied. “I’m just glad for the opportunity.” The next morning, I woke up realizing that even the severe hangover acquired from the celebratory binge drinking I did with my brother the night before hadn’t diminished my excitement and anticipation. I had done it. I was on my way. I tossed off a silent message to God: Tell Grammy there is money in it.

I suppose I could add an ironic post-script to this, but I’d rather not.

“There’s No Money In That”, part 3

December 24th, 2007
Part 3 of my continuing saga to become an actor:

“I’m gonna be an actor,” I declared, my face beaming.

Awkward pause.

My mom and grandmother looked at each other for a long moment in surprise. Their eyes locked, as if formulating a response to my statement via telepathy. Then my grandmother preceded her thoughts with what I had learned even by that point was a mark of disapproval from her, that sound like a clock that sneers as it swings… tchk. I braced myself from the blast of her feeling that “There’s no money in that!”

To be fair to my grandmother, she grew up through the Depression and several wars and she and Grampy were very frugal people. As a result, we were reasonably centered in the mid-upper-middle class of working professionals. A lot of doctors, nurses, engineers and the like… focused, reasonably successful people. We were living in what I called the “White House” of Quakertown, mainly because it looked like a smaller version of the actual White House. We were comfortable. So I can understand now that this sounded like to her like a declaration that was going to strip naked and go live in the forest.

I turned to my mother in surprise, hoping for some support here. I was her genius son, the gifted kid who finished his homework in school ten minutes after it was assigned. I did what I was told, could do no wrong… surely she’d let me pursue this dream, this firm goal that I had held firm for all of two hours. And then I got her response – the patented “I don’t think that’s such a good idea”. I’ve heard that response many times since and understand it to translate as “you’re my genius boy and I love you, but if you think I like that idea, you are f—ing insane”.

I was stunned. How could they not understand how easy and rich a career this would be? I knew deep down that it would be, even without the necessity of actual facts and statistics to back me up. I could do anything I put my mind to, according to Mister Rogers. Surely if I show the women of the house my exhaustive research, they too would see the wisdom of this endeavor and support my chase for my own big brass donut. But no, just like that, they shut it down as a career. No child in this house is going to waste their life that way. Eventually, I was allowed to act in school and church plays as a hobby, but I tucked the dream away for the moment, never far from my reach where I could pull it out when I was grown up and on my own.

Fast forward… approximately 20 years later. I was living with my uncle in Wyoming when I came across an audition for a local summer job as an actor. I had started acting again when I was living in Flagstaff by getting involved in a radio drama (which never got finished) that reawakened for me. That led to some work in community theatre through out most of 1998. The amount of free work I was getting made me start believing again that I could make a living at this. But of course, I was destitute in Flagstaff, living out of my truck… and winter was coming. So I did the sensible and moved in with my uncle, who was very welcoming while I got back on my feet. Laramie being a college town, there was a company that offered call center jobs to attract the student body. So I was working there, helping people with technical support and thinking about finishing college, when I heard about this audition. It wasn’t a fancy gig, but it PAID MONEY. How could I not give it a shot? Sure, I didn’t have a headshot… or a really great resume… or family support… but once they see my talent, how could they not hire me?!

I went there that evening. There were about 40 people or so that showed up for this. We did some cold readings and actually did a dance audition. Not that I could dance, but neither could most of the guys there. We even sang a little, which I could deal with, despite not being in the shower at the time. Then we were sent on our way back to our lives. And the waiting began. Which brings me back to that day. I had the day off of work, so the lack of people not able to figure out how to plug my modem into the phone jack to dial in to AOL left me with just my own thoughts, which naturally settled and focused on this job. I just knew deep down in my soul that if I could land this job, I would work hard and some agent would visit and see my genius, catapulting me to the very heights of stardom. And that’s when the phone rang.

“There’s No Money In That”, part 2

December 23rd, 2007
I continue with the tale:

This probably needs a little background, doesn’t it?

With my childhood in the late 70s and early 80s, I was growing in the infancy of the phenomenon known as cable television. Pay channels like HBO were a brand new concept. Not that we had it, of course; it was far more expensive than its local competitor, Prism. But the idea of programming that was accessible beyond the antenna was as awe-inspiring as I imagine watching the Apollo 11 landing had to be for my parents’ generation. The birth of Nickelodeon and MTV, CNN and ESPN… I don’t have to “Love the 80s” on VH1 because I lived it.

My favorites were the cartoons. You know the ones — those that were based around marketing the toys. GI Joe (yes, with the kung-fu grip), the mighty Transformers and their rather stunted cousins the Go-Bots, He-Man, Voltron… I watched them all. I noticed after some time that I was getting more interested in the credits at the end than the episodes themselves. So I started making a study of who was actually supplying the voices for these heroes and robots in disguise and the gang in the Mystery Machine. Day after day, I mentally tally the names and make notes to myself in one of those legendary marbled composition books you can still get for a dollar even today. I stopped after a month of this for three reasons. Firstly, I had the data I needed for my study. Secondly, I had become concerned that my love for my favorites shows would diminish if I kept going on this path of obsessive over-analyzing. And lastly, my mother told me to, most likely out of concern that a 7-year-old would undertake such a task like a would-be conspiracy theorist.

The results fascinated me. It appeared that only about 12 people were providing the voices for about 85-90% of all the cartoon characters out there. The names of talented people like Jack Angel, Michael Bell, and Casey Kasem danced across my crayon-crafted spreadsheets like the spinning wheels of a slot machine, taunting me with the promise of some big jackpot but never delivering. And then when it seemed I had spent for-EVER trying to make sense of this, the truth hit me: I want their jobs. To be able to work on so much at once must mean that what they do is really, really easy! Low risk, high reward… that’s the life for me.

My grandmother (Grammy, as we knew her) had cooked another fabulous meal for dinner that night. We all parked ourselves in the dining room (yes, we washed our hands, Mom) awaiting the repast comprised of some new way she had discovered to serve chicken. And lo, it was good. And as I polished off a piece of her amazingly gooey chocolate cake for dessert, she turned to me with a bemused smile on her wrinkled face and asked me, “Did you find what you were looking for, Brian?”

“Yep,” I replied triumphantly, “and I even figured out what I want to be when I grow up.”

“And what is that?” Grammy prodded. My mother looked on as she sipped her coffee, curious herself at the answer.

“I’m gonna be an actor,” I declared, my face beaming.

“There’s No Money In That”, part 1

December 21st, 2007
This is the tale of my first professional acting job and what inspired to become an actor.

The phone rang, causing my heart to skip a couple of beats. I had been so caught up in my obsession of when the phone would ring that I was off my guard against the loud klaxon of the phone. That sound always makes me think there is some VP of marketing at the companies that believes these phones should sound like fire alarms solely for the purpose of giving their customers heart attacks so they have to use their product to dial 911. I’d like to take that guy and put him—

The phone rang again. Okay, dude… deep breaths, I kept telling myself. It’s just business as usual, no harm no foul, another day in the walking of the park or something like that. I reached for the handset, but hesitated as many do. What if it’s bad news? Maybe somebody died or got arrested. What if it’s like The Matrix and some creepy version of Laurence Fishburne is going to tell me my life is a lie and I’m living in a computer program as a toy for killer robots who think I’m a D-size battery and they just like to use me like everyone else—

A third ring jolted me back to reality again. I nearly slapped myself and grabbed the handset, not wanting whoever was on the other end to hang up and move on. Putting it gingerly next to my ear, I mustered all my internal strength and managed to squeak out a weak “Hello?” to the mystery guest on the other side of the electronic divide. My heart pounded in my chest as I awaited the response.

“There’s No Money In That”, prologue

December 18th, 2007
I decided that I would start posting some of my work that came out of my Creative Non-fiction class last semester. There were a few that turned out really, really well and I think they should be out there for everyone to read. If anyone actually reads them, maybe I’ll put together an e-chapbook or something.

The first will be the story of how I chose to became an actor. I enjoyed writing it and I think it revealed some things as well. Enjoy!

Love it, but hate it a little too

December 18th, 2007
I rang handbells again this weekend… the first time in a while for the low bass. K.C. emailed me asking for my help with DBI’s Christmas concert since the adult choir lost their “token male”, as my sister likes to joke.

It was three days of fun with people I know and a lot of pain and (probably unnecessary) stress. My arms haven’t hurt this much in a long time. Everything was stiff this morning from my elbows down to my fingertips. But I got to reacquaint myself with old friends and catch up on what people have been doing. Most of the news was good, but the choir is losing a few people for various reasons good and bad. That is sad to hear. Almost makes me want to rejoin the choir… almost.

And the holidays just keep on coming…

December 11th, 2007
I could keep promising to be better about updating this, but…

Anyway, finals have come and gone for another semester. That excites me, because I should just have one more semester to go before I finally graduate.

I just finished a production of Twelfth Night last week. It was weird, because I was battling the flu during the whole run, but everyone tells me it was the best work I’ve ever done to date. Should I be happy about that? I should, but I don’t know that I did anything different. I think I was just more “in the moment” because it was taking everything I had just to stay upright… or as upright as I had to be playing the drunken Sir Toby Belch.

Now, I’m moving on to designing. I’m working sound design for a production of “Proof”, which will be going up next month. Looks like it should be fun.

And in case I don’t live up to my wasted promise and I don’t post again soon, Happy Holidays!


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